I explore white working-class identity, race, and belonging through creative writing and poetry, using it as a tool for reflection, research, and critical engagement. My writing is closely connected to my research, allowing lived experience and personal insight to inform the work I do in museums and academia.

Upcoming Project: The Space Between

I am developing a project that brings together working-class poets across racialised experiences to explore shared and divergent experiences of class and race in Britain. Through workshops, collaborative sharing, and reflection, the project aims to produce an anthology of poetry that highlights voices that are often underrepresented, while creating space for dialogue and connection.

Below are two poems Fragments of a white girl (2025), and The Gap Between us(2020).


Fragments of a white girl

 

Starving Ethiopian kids on the news

Bob Geldof

The song Heal the World

Do They Know It’s Christmas Time at All

The Fugees, Lauryn Hill on the radio

Linford Christie, a super star on Telly

Michale Jackson, Black or white

 

My mum watching cowboy and Indian films in the afternoons

She’d say “Clint Eastwood, he’s so handsome” and

“I’m rooting for the Indians”

 

My dad monologuing about our Irish ancestry

“The plight of migrants” he’d say

“The bloody English, the colonists”

“Blasted Tory scum”

He was a bricky, he told me stories of getting into fights with guys at work

Shouting at them for being racist

I felt proud of him, I learnt from him

 

My English grandad’s racism though

Forced to his house one day

A family meal

He was ranting, saying “Black people should go back to the jungle”

In another breath he turned to me and asked what I wanted to be when I grew up

With attitude and defiance, I said “I will marry a Black man and live in the jungle”

My mum scolded me

Said “he’s old, he doesn’t know any better, don’t wind him up”

 

There were only white people where I lived

A little Dorset village

Wealthy farmers, people with horses and stables

The red coats, the fox hunt would go out sometimes

My dad protested to stop them

 

We lived on the edge of the village

The poorest part

A small council estate

All red brick buildings

Burnt out cars and boy racers

We played on go-karts on the wasteland

Our bus to the high school had torn fake leather seats

The kids who lived in the rich part of the village

They had a coach with carpet seats

 

I took the bus for 40 minutes to the nearest town from the village

My best friend was a boy called James

He was Pakistani

The only non-white person at high school

They called me a gypo

I scavenged school uniform from lost property

Stood in line for my free school meals, pink tickets marking my poverty in the canteen

They shouted “paki lover, paki fucker” at me

They told him I was dirty

He was my best friend

 

When I was a kid, I asked Santa for a Black doll

She had a red dress

I named her Poppy

Why did I want her?

 

I used to run away all the time

I was sad and scared

Arguments and violence at home

I was scared of my dad

I shouted back at him, but I wanted him to love me

My mum staring vacant, always dieting, always depressed

I would run up into the fields around the village

Sit and look down on the river below

I dreamed of escape from that small place, dreamed of the city far away

 

I left home very young

At 14

Living in caravans

On site with travelers near the village

Rummaging in those big bins at the back of supermarkets

Dogs, we had twelve dogs

Police raids

Nights by candles

The police caught me once

Put me in a foster home

I escaped by morning

My nan Jean would write over the years

Different places I lived

She loved me, my Nan

No matter what I did

 

When I lived in London for the first time at 20

My second boyfriend (my first had been a white boy from a warehouse I worked on weekends at 17, Mike Brown – he left to join the army)

He was from Clapham

He was mixed race

He lived with his nan

His name was Ashley

 

A girls’ night at mine, getting ready to go out

Warehouse parties in Seven Sisters

White girls

Makeup and nails

“What’s it like being with a Black man?”

“Sleeping with a Black man was on their bucket list,” they said

“What’s it like being with a white guy?” I retorted

“What’s your problem, Erin?” they huffed

 

I met my eldest son’s dad

He was white

At Cambridge University studying French literature

A tourist at our parties

He liked me, said he “liked the different ones” whatever that meant

I wasn’t interested

My friends said he was a catch

So, I tried

I was trouble

Up to no good

He was sensible and stable

He was white, middle class, wealthy family, educated

His dad had a swimming pool at his house

He was who I was supposed to want to be with, wasn’t I?

Was it peer pressure? Societal pressure?

He was nice

Maybe I was just mean

 

Rough handling of my baby by midwives

They treated my eldest son, who is white, with more care

Or am I imagining it? Am I too sensitive?

“Black men leave their children”, white women told me

Bounce bounce my baby’s hair

“He’s light skin, maybe he will pass” someone told me

It’s all the same but different

“You’re a proper chav mum now, kids of different colours” a white friend laughed

I am confused

I am angry

The Gap Between Us  

 

He holds me close, “people died for this” 

I know, I say 

“No, you don’t” (No, I don’t, not really, not in the same way

  

“I couldn’t speak to white people for two weeks, even you, when I found out” 

They killed George Floyd because he was Black 

“How do I know you’re not racist?” he asks 

  

He looks at me 

I love him so much 

I say “I probably am, I’m white” (why did I say that?) 

  

The air is paused 

I wait 

“Thank you” he says (I’m confused) 

  

His voice is serious, his face pleading that I understand him 

He looks at our sleeping baby boy, so innocent, my heart swells with love 

“He’s different, he is half African” he says, “people will hate him just for the colour of his skin” 

  

I love him, I love our son 

I know, I say 

“No, you don’t” (No, I don’t, not really, not in the same way